Project 1 – Moulding from a surface The moulding relief paste was far and away my favourite medium for this exercise. The paste combines well with textiles, takes crisp imprints, remains maleable and can be coloured, stitched and worked into. It is also accepts embedded objects well. The variety of pastes available (pearl, matte, gloss […]
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Tag: casting the internal space of a vessel
Assignment Three Artists – Rebecca Fairl
It is perhaps too narrow a description to refer to Rebecca Fairley as a textile artist since her work incorporates, but also extends beyond, the traditional textile media and processes. Using textiles as a tool for surface design, Fairley imprints and embeds patterns into concrete and other non-textile substrates. This juxtaposition of the harsh, brutal […]
Project 2 – Casting the internal space o
After the abject failure of the homemade ‘plaster of Paris’ I purchased the real thing. I experimented with a number of spaces, choosing everyday vessels for casting from and marking or embedding them with other found objects. Bakery tray and pasta with Brusho After arranging dry pasta pieces in a bakery tray I sprinkled the […]
Project 2 – Casting the internal space o
For this exercise I selected a range of multi-coloured hand-dyed pieces of wool roving, fleece wool and yarn. All were chosen for their propensity to felt (ie, short to medium staple wools of various qualities). I used two different strategies to contain the wool. The first was to stuff an old mesh onion bag, the […]
Project 2 – Casting the internal surface
Metal parts and jewellery are frequently cast using ‘green sand’. Following some research I found various sources that suggested this could be achieved with kinetic sand. Kinetic sand is regular fine sand blended with a synthetic product, polydimethylsiloxane. This makes it behave like wet sand that can be moulded and shaped more readily than regular […]
Project 2 – Casting the internal space o
After the PVA and fabric sample I had some colour PVA left over. It seemed a shame to waste it so I used some of the scraps of hand-dyed yarn from the weavette pieces and pushed them into the beaker until the yarn was covered. I allowed the piece to dry completely in the beaker […]