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Debbie Tomkies
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  • Assignment One
    • Part One: Project 1- Folding & Crumpling
      • Project 1: Exercise 1 – Linear accordion pleats
      • Project 1: Exercise 2 – Rotational accordion pleats
      • Project 1: Exercise 3 – Knife and box pleats
      • Project 1: Exercise 4 – Incremental and twisted pleats
      • Project 1: Exercise 5 – Basic crumpling technique
      • Project 1: Exercise 6 – Linear crumpling technique
    • Part One: Project 2 – Tearing & Cutting
    • Part One: Project 3 – Heating & Fusing
      • Project 3: Exercise 3 – Using hot water
    • Part One: Project 4 – Scratching & Embossing
      • Project 4: Exercise 2 – Embossing
    • Part One: Project 5 – Puncturing & Stitching
      • Project 5: Exercise 1 – Puncturing
      • Project 5: Exercise 2 – Stitching
  • Assignment Two
    • Part Two: Project 1 – Joining
      • Project 1: Exercise 1 – Joining straight flush edges
      • Project 1: Exercise 2 – Joining straight edges with a gap
      • Project 1: Exercise 3 – Joining curved edges
      • Project 1: Exercise 4 – Overlapping edges
      • Project 1: Exercise 5 – Forming corners and angles
    • Part Two: Project 2 – Wrapping
      • Project 2: Exercise 1 – Straight wrapping with threads (part one)
      • Project 2: Exercise 1 – Straight wrapping with threads (part two)
      • Project 2: Exercise 2 – Wrapping with materials and threads
      • Project 2: Exercise 3 – Uneven wrapping – Part one – Found objects
      • Project 2: Exercise 3 – Uneven wrapping – Part two – Do you see what I see?
      • Project 2: Exercise 3 – Uneven wrapping – Part three – Underneath my skin
  • Assignment Three
    • Project 1: Moulding from a surface
      • Project 1 – Moulding from a surface – Golden light moulding paste
      • Project 1 – Moulding from a surface – PVA and fabric bowl
      • Project 1 – Moulding from a surface – Soft form pearl relief paste
      • Project One – Moulding from a surface – Air-drying clay
      • Project 1 – Moulding from a surface – Wool felt
    • Project 2: Casting the internal surface of a vessel
      • Project 2 – Casting the internal space of a vessel – Plaster of Paris
      • Project 2 – Casting the internal space of a vessel – Wool felt
      • Project 2 – Casting the internal space of a vessel – PVA and yarn
      • Project 2 – Casting the internal surface of a vessel – Kinetic sand and wax
      • Project 2 – Casting the internal surface of a vessel – Flour paste plaster of Paris
  • Assignment Four
    • Project 1: Exercise 1 – Monoprinting – Mark-making
    • Project 1: Monoprinting – Exercise 2 – Drawing onto the printing plate
    • Project 1: Monoprinting – Exercise 3 – Back drawing
    • Project 1: Exercise 4 – Monoprinting – Working with stencils
    • Project 2: Collatype printing – Exercise 1 – Create a collage block
    • Project 2: Collatype printing – Exercise 2 – Polyfilla block
    • Project 2: Collatype printing – Exercise 3 – Collatype collage prints
  • Assignment Five
    • Assignment Five – Stage 1 – Review of Assignments One & Two
    • Assignment Five – Stage 1 (part two) – Review of Assignments Three & Four
    • Assignment Five – Stage 2 – Research
    • Assignment Five – Stages 3 & 4 – Sample-making and Recording Outcomes (part one of two)
    • Assignment Five – Stages 3 & 4 – Sample-making & Recording Outcomes (part two of two)
    • Assignment Five – Stage 5 – Sorting
    • Assignment Five – Stage 6 – Prototype/maquette-making
    • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
  • Research
    • Research: Assignment One
      • Research: Assignment One – Techniques and Tutorials
      • Assignment One Artists – Issey Miyake
      • Assignment One Artists – Vincent Floderer
      • Assignment One Artists – Anneke Copier
      • Assignment One Artists – Joana Vasconcelos
      • Assignment One Artists – Architect and designer Raffaello Galiotto
    • Research: Assignment Two
      • Research: Assignment Two – Techniques and Tutorials
      • Assignment Two Artists – Olek
      • Assignment Two Artists – John Bisbee
      • Assignment Two Artists – Hillary Waters Fayle
      • Assignment Two Artists – Carole Baillargeon
      • Assignment Two Artists – Hsiao-Chi Tsai
    • Research: Assignment Three
      • Research: Assignment Three – Techniques and Tutorials
        • Research: Assignment Three – Kinetic Sand
        • Assignment Three Research – Moulding with Sugru and Oogoo
        • Research: Assignment Three – Mouldable fabric
        • Research: Assignment Three – Paverpol, Powertex
        • Research: Assignment Three – Air-drying doughs and clays
      • Assignment Three Artists – Rebecca Fairley
      • Assignment Three Artists – Rachel Whiteread
      • Assignment Three Artists – George Segal
      • Assignment Three Artists – Victoria Ferrand-Scott
      • Assignment Three Artists – Karine Jollett
    • Research: Assignment Four
      • Research Assignment Four – Techniques & Tutorials
        • Research Assignment Four – Printing – Suminagashi – Japanese water marbling
        • Research Assignment Four – Printing – Shaving foam
        • Research for Assignment Four – Printing – Marbling with nail varnish on water
        • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
        • Research Assignment Four – Printing – Stencils
        • Research for Assignment Four – Drawing on the plate
      • Assignment Four Artists – Kim Major-George
      • Assignment Four Artists – Imna Arroyo
      • Assignment Four Artists – Giovanni Benedetto Castiglione
      • Assignment Four Artists- The Veteran Print Project – Various Artists
    • Research: Assignment Five
      • Assignment Five – Stage 2 – Research – Inspiration
      • Assignment Five – Stage 2 – Research – Techniques & Tutorials
      • Assignment Five – Stage 2 – Research – Artists
  • Sketchbooks
    • Sketchbook – Assignment One
    • Sketchbook – Assignment Two
    • Sketchbook – Assignment Three
  • Sorting & Reflection
    • Assignment One: Part One – Stage 4 – Sorting
    • Assignment Two: Part Two – Stage 4 – Sorting
    • Assignment Three: Part Three – Stage 4 – Sorting
    • Assignment Four: Part Four – Stage 4 – Sorting
    • Assignment Five: Part Five – Stage 5 – Sorting
    • Reflection on Assignment One
    • Reflection on Assignment Two
    • Reflection on Assignment Three
    • Reflection on Assignment Four
    • Reflection on Assignment Five & Course Overall
  • Tutor feedback
    • Tutor feedback and my response – Assignment One
    • Tutor feedback and my response – Assignment Two
    • Tutor feedback and my response – Assignment Three
    • Tutor feedback and my response – Assignment Four
    • Tutor feedback and my response – Assignment Five
  • About
  • Contact

Debbie Tomkies

OCA - Mixed Media for Textiles
  • Home
  • Assignment One
    • Part One: Project 1- Folding & Crumpling
      • Project 1: Exercise 1 – Linear accordion pleats
      • Project 1: Exercise 2 – Rotational accordion pleats
      • Project 1: Exercise 3 – Knife and box pleats
      • Project 1: Exercise 4 – Incremental and twisted pleats
      • Project 1: Exercise 5 – Basic crumpling technique
      • Project 1: Exercise 6 – Linear crumpling technique
    • Part One: Project 2 – Tearing & Cutting
    • Part One: Project 3 – Heating & Fusing
      • Project 3: Exercise 3 – Using hot water
    • Part One: Project 4 – Scratching & Embossing
      • Project 4: Exercise 2 – Embossing
    • Part One: Project 5 – Puncturing & Stitching
      • Project 5: Exercise 1 – Puncturing
      • Project 5: Exercise 2 – Stitching
  • Assignment Two
    • Part Two: Project 1 – Joining
      • Project 1: Exercise 1 – Joining straight flush edges
      • Project 1: Exercise 2 – Joining straight edges with a gap
      • Project 1: Exercise 3 – Joining curved edges
      • Project 1: Exercise 4 – Overlapping edges
      • Project 1: Exercise 5 – Forming corners and angles
    • Part Two: Project 2 – Wrapping
      • Project 2: Exercise 1 – Straight wrapping with threads (part one)
      • Project 2: Exercise 1 – Straight wrapping with threads (part two)
      • Project 2: Exercise 2 – Wrapping with materials and threads
      • Project 2: Exercise 3 – Uneven wrapping – Part one – Found objects
      • Project 2: Exercise 3 – Uneven wrapping – Part two – Do you see what I see?
      • Project 2: Exercise 3 – Uneven wrapping – Part three – Underneath my skin
  • Assignment Three
    • Project 1: Moulding from a surface
      • Project 1 – Moulding from a surface – Golden light moulding paste
      • Project 1 – Moulding from a surface – PVA and fabric bowl
      • Project 1 – Moulding from a surface – Soft form pearl relief paste
      • Project One – Moulding from a surface – Air-drying clay
      • Project 1 – Moulding from a surface – Wool felt
    • Project 2: Casting the internal surface of a vessel
      • Project 2 – Casting the internal space of a vessel – Plaster of Paris
      • Project 2 – Casting the internal space of a vessel – Wool felt
      • Project 2 – Casting the internal space of a vessel – PVA and yarn
      • Project 2 – Casting the internal surface of a vessel – Kinetic sand and wax
      • Project 2 – Casting the internal surface of a vessel – Flour paste plaster of Paris
  • Assignment Four
    • Project 1: Exercise 1 – Monoprinting – Mark-making
    • Project 1: Monoprinting – Exercise 2 – Drawing onto the printing plate
    • Project 1: Monoprinting – Exercise 3 – Back drawing
    • Project 1: Exercise 4 – Monoprinting – Working with stencils
    • Project 2: Collatype printing – Exercise 1 – Create a collage block
    • Project 2: Collatype printing – Exercise 2 – Polyfilla block
    • Project 2: Collatype printing – Exercise 3 – Collatype collage prints
  • Assignment Five
    • Assignment Five – Stage 1 – Review of Assignments One & Two
    • Assignment Five – Stage 1 (part two) – Review of Assignments Three & Four
    • Assignment Five – Stage 2 – Research
    • Assignment Five – Stages 3 & 4 – Sample-making and Recording Outcomes (part one of two)
    • Assignment Five – Stages 3 & 4 – Sample-making & Recording Outcomes (part two of two)
    • Assignment Five – Stage 5 – Sorting
    • Assignment Five – Stage 6 – Prototype/maquette-making
    • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
  • Research
    • Research: Assignment One
      • Research: Assignment One – Techniques and Tutorials
      • Assignment One Artists – Issey Miyake
      • Assignment One Artists – Vincent Floderer
      • Assignment One Artists – Anneke Copier
      • Assignment One Artists – Joana Vasconcelos
      • Assignment One Artists – Architect and designer Raffaello Galiotto
    • Research: Assignment Two
      • Research: Assignment Two – Techniques and Tutorials
      • Assignment Two Artists – Olek
      • Assignment Two Artists – John Bisbee
      • Assignment Two Artists – Hillary Waters Fayle
      • Assignment Two Artists – Carole Baillargeon
      • Assignment Two Artists – Hsiao-Chi Tsai
    • Research: Assignment Three
      • Research: Assignment Three – Techniques and Tutorials
        • Research: Assignment Three – Kinetic Sand
        • Assignment Three Research – Moulding with Sugru and Oogoo
        • Research: Assignment Three – Mouldable fabric
        • Research: Assignment Three – Paverpol, Powertex
        • Research: Assignment Three – Air-drying doughs and clays
      • Assignment Three Artists – Rebecca Fairley
      • Assignment Three Artists – Rachel Whiteread
      • Assignment Three Artists – George Segal
      • Assignment Three Artists – Victoria Ferrand-Scott
      • Assignment Three Artists – Karine Jollett
    • Research: Assignment Four
      • Research Assignment Four – Techniques & Tutorials
        • Research Assignment Four – Printing – Suminagashi – Japanese water marbling
        • Research Assignment Four – Printing – Shaving foam
        • Research for Assignment Four – Printing – Marbling with nail varnish on water
        • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
        • Research Assignment Four – Printing – Stencils
        • Research for Assignment Four – Drawing on the plate
      • Assignment Four Artists – Kim Major-George
      • Assignment Four Artists – Imna Arroyo
      • Assignment Four Artists – Giovanni Benedetto Castiglione
      • Assignment Four Artists- The Veteran Print Project – Various Artists
    • Research: Assignment Five
      • Assignment Five – Stage 2 – Research – Inspiration
      • Assignment Five – Stage 2 – Research – Techniques & Tutorials
      • Assignment Five – Stage 2 – Research – Artists
  • Sketchbooks
    • Sketchbook – Assignment One
    • Sketchbook – Assignment Two
    • Sketchbook – Assignment Three
  • Sorting & Reflection
    • Assignment One: Part One – Stage 4 – Sorting
    • Assignment Two: Part Two – Stage 4 – Sorting
    • Assignment Three: Part Three – Stage 4 – Sorting
    • Assignment Four: Part Four – Stage 4 – Sorting
    • Assignment Five: Part Five – Stage 5 – Sorting
    • Reflection on Assignment One
    • Reflection on Assignment Two
    • Reflection on Assignment Three
    • Reflection on Assignment Four
    • Reflection on Assignment Five & Course Overall
  • Tutor feedback
    • Tutor feedback and my response – Assignment One
    • Tutor feedback and my response – Assignment Two
    • Tutor feedback and my response – Assignment Three
    • Tutor feedback and my response – Assignment Four
    • Tutor feedback and my response – Assignment Five
  • About
  • Contact
  1. Home
  2. Research
  3. Research: Assignment 4
  4. Assignment Four - Tutorials
  5. Research Assignment Four – Printing – Shaving foam

Research Assignment Four – Printing – Shaving foam

7th May 2017Written by dtomkiesocammt

 

Assignment Four - Tutorials, Research, Research: Assignment 4 assignment 4, printing, research, shaving foam, tutorial

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29th May 2017
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Research for Assignment Five can be found in the research section. For Inspiration research see here For Techniques & Tutorials see here For Artist research see here    
Assignment Five – Stage 2 – Research – Techniques & Tutorials
28th May 2017

I watched a number of tutorials to study the techniques for slashing fabric to create a faux chenille surface. I also watched felting tutorials and researched the mola fabric technique (which is similar to reverse applique). These links were the most appropriate for my needs at this stage: Stitching and Slashing – Fay Maxwell   […]
Research for Assignment Four – Printing – Marbling with nail varnish on water
Research Assignment Four – Printing – Stencils

Recent Posts

  • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
  • Tutor feedback and my response – Assignment Five
  • Reflection on Assignment Five & Course Overall
  • Assignment Five – Stage 6 – Prototype/maquette-making
  • Assignment Five – Stage 5 – Sorting

Recent Comments

  • 14 New Inspiring Examples of Jaw-Dropping Crochet Art | on Artists – Joana Vasconcelos
  • Ann Dim on Artists – Architect and designer Raffaello Galiotto

Archives

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  • May 2017
  • April 2017
  • January 2017
  • August 2016
  • July 2016
  • February 2016
  • January 2016
  • October 2015
  • September 2015
  • August 2015

Categories

  • Assignment 1
  • Assignment 2
  • Assignment 2: Sorting
  • Assignment 3
  • Assignment 3: Sorting
  • Assignment 4
  • Assignment 4: Sorting
  • Assignment 5 – Stage 6 part 2 – Revised prototype/maquette-making
  • Assignment Five
  • Assignment Four – Tutorials
  • Assignment Four Artists – Castiglione
  • Assignment Four Artists – Imna Arroyo
  • Assignment Four Artists – Kim Major-George
  • Assignment Four Artists – Veteran Print Project – Various Artists
  • Assignment Four Techeniques and Tutorials
  • Assignment One Artists – Anneke Copier
  • Assignment One Artists – Issey Miyake
  • Assignment One Artists – Joana Vasconcelos
  • Assignment One Artists – Raffaello Galiotto
  • Assignment One Artists – Vincent Floderer
  • Assignment Three Artists – George Segal
  • Assignment Three Artists – Karine Jollet
  • Assignment Three Artists – Rachel Whiteread
  • Assignment Three Artists – Rebecca Fairley
  • Assignment Three Techniques and Tutorials
  • Assignment Two Techniques and Tutorials
  • Assignment Two Techniques and Tutorials
  • Part One: Project 1 – Exercise 2 Rotational accordion pleats
  • Part One: Project 1 – Exercise 3 Knife and box pleats
  • Part One: Project 1 – Folding & Crumpling
  • Part One: Project 2 – Tearing & Cutting
  • Part One: Project 3 – Heating & Fusing
  • Part One: Project 4 – Exercise 2 Embossing
  • Part One: Project 4 – Scratching & Embossing
  • Part One: Project 5 – Puncturing & Stitching
  • Part One: Project 5 – Puncturing and stitching
  • Part Two: Project 1 – Joining and Wrapping
  • Part Two: Project 2 – Wrapping
  • Project 1: Monoprinting
  • Project 1: Monoprinting – Exercise 1 – Mark-making
  • Project 1: Monoprinting – Exercise 2 – Drawing onto the printing plate
  • Project 1: Monoprinting – Exercise 3 – Back drawing
  • Project 1: Monoprinting – Exercise 4 – Working with stencils
  • Project 1: Moulding from a surface
  • Project 2: Casting the internal space of a vessel
  • Project 2: Collatype
  • Project 2: Collatype – Exercise 1 – Create a collage block
  • Project 2: Collatype – Exercise 2 – Polyfilla block
  • Project 2: Collatype – Exercise 3 – Collatype collage prints
  • Reflection on Assignment Four
  • Reflection on Assignment One
  • Reflection on Assignment Three
  • Reflection on Assignment Two
  • Research
  • Research Assignment Three
  • Research: Assignment 4
  • Research: Assignment Five – Techniques & Tutorials – Temari & Fabric Balls
  • Research: Assignment One
  • Research: Assignment Two
  • Sketchbooks
  • Sketchbooks – Assignment Three
  • Sorting and Reflection
  • Stage 1 – Review
  • Stage 2 – Research
  • Stage 2 – Research – Artists
  • Stage 2 – Research – Inspiration
  • Stage 2 – Research – Techniques & Tutorials
  • Stage 5 – Sorting
  • Stage 6 – Prototype/maquette-making
  • Stage 7 – Reflection
  • Stages 3 and 4 – Sampling and Recording Outcomes
  • Submission list – Assignment One: Surface Distortion
  • Submission list – Assignment Three: Moulding and Casting
  • Submission Lists
  • Surface Distortion
  • Tutor feedback
  • Tutor feedback – Assignment Five
  • Tutor feedback – Assignment Four
  • Tutor feedback – Assignment Three
  • Uncategorised

Tags

anneke artist artists assignment 1 assignment 2 assignment 3 assignment 4 assignment 5 casting the internal space of a vessel casting the internal surface of a vessel collatype crumpling folding issey miyake Joana Vasconcelos joining joining and wrapping marbling monoprinting moulding from a surface olek part one part two printing project 1 project 2 project 3 project 4 project 5 puncturing puncturing and stitching raffaello galiotto reflection research scratching and embossing shaving foam sketchbook sorting submission list suminagashi surface distortion techniques and tutorials tutor feedback vincent floderer wrapping

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