Skip to main content
Debbie Tomkies
  • Home
  • Assignment One
    • Part One: Project 1- Folding & Crumpling
      • Project 1: Exercise 1 – Linear accordion pleats
      • Project 1: Exercise 2 – Rotational accordion pleats
      • Project 1: Exercise 3 – Knife and box pleats
      • Project 1: Exercise 4 – Incremental and twisted pleats
      • Project 1: Exercise 5 – Basic crumpling technique
      • Project 1: Exercise 6 – Linear crumpling technique
    • Part One: Project 2 – Tearing & Cutting
    • Part One: Project 3 – Heating & Fusing
      • Project 3: Exercise 3 – Using hot water
    • Part One: Project 4 – Scratching & Embossing
      • Project 4: Exercise 2 – Embossing
    • Part One: Project 5 – Puncturing & Stitching
      • Project 5: Exercise 1 – Puncturing
      • Project 5: Exercise 2 – Stitching
  • Assignment Two
    • Part Two: Project 1 – Joining
      • Project 1: Exercise 1 – Joining straight flush edges
      • Project 1: Exercise 2 – Joining straight edges with a gap
      • Project 1: Exercise 3 – Joining curved edges
      • Project 1: Exercise 4 – Overlapping edges
      • Project 1: Exercise 5 – Forming corners and angles
    • Part Two: Project 2 – Wrapping
      • Project 2: Exercise 1 – Straight wrapping with threads (part one)
      • Project 2: Exercise 1 – Straight wrapping with threads (part two)
      • Project 2: Exercise 2 – Wrapping with materials and threads
      • Project 2: Exercise 3 – Uneven wrapping – Part one – Found objects
      • Project 2: Exercise 3 – Uneven wrapping – Part two – Do you see what I see?
      • Project 2: Exercise 3 – Uneven wrapping – Part three – Underneath my skin
  • Assignment Three
    • Project 1: Moulding from a surface
      • Project 1 – Moulding from a surface – Golden light moulding paste
      • Project 1 – Moulding from a surface – PVA and fabric bowl
      • Project 1 – Moulding from a surface – Soft form pearl relief paste
      • Project One – Moulding from a surface – Air-drying clay
      • Project 1 – Moulding from a surface – Wool felt
    • Project 2: Casting the internal surface of a vessel
      • Project 2 – Casting the internal space of a vessel – Plaster of Paris
      • Project 2 – Casting the internal space of a vessel – Wool felt
      • Project 2 – Casting the internal space of a vessel – PVA and yarn
      • Project 2 – Casting the internal surface of a vessel – Kinetic sand and wax
      • Project 2 – Casting the internal surface of a vessel – Flour paste plaster of Paris
  • Assignment Four
    • Project 1: Exercise 1 – Monoprinting – Mark-making
    • Project 1: Monoprinting – Exercise 2 – Drawing onto the printing plate
    • Project 1: Monoprinting – Exercise 3 – Back drawing
    • Project 1: Exercise 4 – Monoprinting – Working with stencils
    • Project 2: Collatype printing – Exercise 1 – Create a collage block
    • Project 2: Collatype printing – Exercise 2 – Polyfilla block
    • Project 2: Collatype printing – Exercise 3 – Collatype collage prints
  • Assignment Five
    • Assignment Five – Stage 1 – Review of Assignments One & Two
    • Assignment Five – Stage 1 (part two) – Review of Assignments Three & Four
    • Assignment Five – Stage 2 – Research
    • Assignment Five – Stages 3 & 4 – Sample-making and Recording Outcomes (part one of two)
    • Assignment Five – Stages 3 & 4 – Sample-making & Recording Outcomes (part two of two)
    • Assignment Five – Stage 5 – Sorting
    • Assignment Five – Stage 6 – Prototype/maquette-making
    • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
  • Research
    • Research: Assignment One
      • Research: Assignment One – Techniques and Tutorials
      • Assignment One Artists – Issey Miyake
      • Assignment One Artists – Vincent Floderer
      • Assignment One Artists – Anneke Copier
      • Assignment One Artists – Joana Vasconcelos
      • Assignment One Artists – Architect and designer Raffaello Galiotto
    • Research: Assignment Two
      • Research: Assignment Two – Techniques and Tutorials
      • Assignment Two Artists – Olek
      • Assignment Two Artists – John Bisbee
      • Assignment Two Artists – Hillary Waters Fayle
      • Assignment Two Artists – Carole Baillargeon
      • Assignment Two Artists – Hsiao-Chi Tsai
    • Research: Assignment Three
      • Research: Assignment Three – Techniques and Tutorials
        • Research: Assignment Three – Kinetic Sand
        • Assignment Three Research – Moulding with Sugru and Oogoo
        • Research: Assignment Three – Mouldable fabric
        • Research: Assignment Three – Paverpol, Powertex
        • Research: Assignment Three – Air-drying doughs and clays
      • Assignment Three Artists – Rebecca Fairley
      • Assignment Three Artists – Rachel Whiteread
      • Assignment Three Artists – George Segal
      • Assignment Three Artists – Victoria Ferrand-Scott
      • Assignment Three Artists – Karine Jollett
    • Research: Assignment Four
      • Research Assignment Four – Techniques & Tutorials
        • Research Assignment Four – Printing – Suminagashi – Japanese water marbling
        • Research Assignment Four – Printing – Shaving foam
        • Research for Assignment Four – Printing – Marbling with nail varnish on water
        • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
        • Research Assignment Four – Printing – Stencils
        • Research for Assignment Four – Drawing on the plate
      • Assignment Four Artists – Kim Major-George
      • Assignment Four Artists – Imna Arroyo
      • Assignment Four Artists – Giovanni Benedetto Castiglione
      • Assignment Four Artists- The Veteran Print Project – Various Artists
    • Research: Assignment Five
      • Assignment Five – Stage 2 – Research – Inspiration
      • Assignment Five – Stage 2 – Research – Techniques & Tutorials
      • Assignment Five – Stage 2 – Research – Artists
  • Sketchbooks
    • Sketchbook – Assignment One
    • Sketchbook – Assignment Two
    • Sketchbook – Assignment Three
  • Sorting & Reflection
    • Assignment One: Part One – Stage 4 – Sorting
    • Assignment Two: Part Two – Stage 4 – Sorting
    • Assignment Three: Part Three – Stage 4 – Sorting
    • Assignment Four: Part Four – Stage 4 – Sorting
    • Assignment Five: Part Five – Stage 5 – Sorting
    • Reflection on Assignment One
    • Reflection on Assignment Two
    • Reflection on Assignment Three
    • Reflection on Assignment Four
    • Reflection on Assignment Five & Course Overall
  • Tutor feedback
    • Tutor feedback and my response – Assignment One
    • Tutor feedback and my response – Assignment Two
    • Tutor feedback and my response – Assignment Three
    • Tutor feedback and my response – Assignment Four
    • Tutor feedback and my response – Assignment Five
  • About
  • Contact

Debbie Tomkies

OCA - Mixed Media for Textiles
  • Home
  • Assignment One
    • Part One: Project 1- Folding & Crumpling
      • Project 1: Exercise 1 – Linear accordion pleats
      • Project 1: Exercise 2 – Rotational accordion pleats
      • Project 1: Exercise 3 – Knife and box pleats
      • Project 1: Exercise 4 – Incremental and twisted pleats
      • Project 1: Exercise 5 – Basic crumpling technique
      • Project 1: Exercise 6 – Linear crumpling technique
    • Part One: Project 2 – Tearing & Cutting
    • Part One: Project 3 – Heating & Fusing
      • Project 3: Exercise 3 – Using hot water
    • Part One: Project 4 – Scratching & Embossing
      • Project 4: Exercise 2 – Embossing
    • Part One: Project 5 – Puncturing & Stitching
      • Project 5: Exercise 1 – Puncturing
      • Project 5: Exercise 2 – Stitching
  • Assignment Two
    • Part Two: Project 1 – Joining
      • Project 1: Exercise 1 – Joining straight flush edges
      • Project 1: Exercise 2 – Joining straight edges with a gap
      • Project 1: Exercise 3 – Joining curved edges
      • Project 1: Exercise 4 – Overlapping edges
      • Project 1: Exercise 5 – Forming corners and angles
    • Part Two: Project 2 – Wrapping
      • Project 2: Exercise 1 – Straight wrapping with threads (part one)
      • Project 2: Exercise 1 – Straight wrapping with threads (part two)
      • Project 2: Exercise 2 – Wrapping with materials and threads
      • Project 2: Exercise 3 – Uneven wrapping – Part one – Found objects
      • Project 2: Exercise 3 – Uneven wrapping – Part two – Do you see what I see?
      • Project 2: Exercise 3 – Uneven wrapping – Part three – Underneath my skin
  • Assignment Three
    • Project 1: Moulding from a surface
      • Project 1 – Moulding from a surface – Golden light moulding paste
      • Project 1 – Moulding from a surface – PVA and fabric bowl
      • Project 1 – Moulding from a surface – Soft form pearl relief paste
      • Project One – Moulding from a surface – Air-drying clay
      • Project 1 – Moulding from a surface – Wool felt
    • Project 2: Casting the internal surface of a vessel
      • Project 2 – Casting the internal space of a vessel – Plaster of Paris
      • Project 2 – Casting the internal space of a vessel – Wool felt
      • Project 2 – Casting the internal space of a vessel – PVA and yarn
      • Project 2 – Casting the internal surface of a vessel – Kinetic sand and wax
      • Project 2 – Casting the internal surface of a vessel – Flour paste plaster of Paris
  • Assignment Four
    • Project 1: Exercise 1 – Monoprinting – Mark-making
    • Project 1: Monoprinting – Exercise 2 – Drawing onto the printing plate
    • Project 1: Monoprinting – Exercise 3 – Back drawing
    • Project 1: Exercise 4 – Monoprinting – Working with stencils
    • Project 2: Collatype printing – Exercise 1 – Create a collage block
    • Project 2: Collatype printing – Exercise 2 – Polyfilla block
    • Project 2: Collatype printing – Exercise 3 – Collatype collage prints
  • Assignment Five
    • Assignment Five – Stage 1 – Review of Assignments One & Two
    • Assignment Five – Stage 1 (part two) – Review of Assignments Three & Four
    • Assignment Five – Stage 2 – Research
    • Assignment Five – Stages 3 & 4 – Sample-making and Recording Outcomes (part one of two)
    • Assignment Five – Stages 3 & 4 – Sample-making & Recording Outcomes (part two of two)
    • Assignment Five – Stage 5 – Sorting
    • Assignment Five – Stage 6 – Prototype/maquette-making
    • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
  • Research
    • Research: Assignment One
      • Research: Assignment One – Techniques and Tutorials
      • Assignment One Artists – Issey Miyake
      • Assignment One Artists – Vincent Floderer
      • Assignment One Artists – Anneke Copier
      • Assignment One Artists – Joana Vasconcelos
      • Assignment One Artists – Architect and designer Raffaello Galiotto
    • Research: Assignment Two
      • Research: Assignment Two – Techniques and Tutorials
      • Assignment Two Artists – Olek
      • Assignment Two Artists – John Bisbee
      • Assignment Two Artists – Hillary Waters Fayle
      • Assignment Two Artists – Carole Baillargeon
      • Assignment Two Artists – Hsiao-Chi Tsai
    • Research: Assignment Three
      • Research: Assignment Three – Techniques and Tutorials
        • Research: Assignment Three – Kinetic Sand
        • Assignment Three Research – Moulding with Sugru and Oogoo
        • Research: Assignment Three – Mouldable fabric
        • Research: Assignment Three – Paverpol, Powertex
        • Research: Assignment Three – Air-drying doughs and clays
      • Assignment Three Artists – Rebecca Fairley
      • Assignment Three Artists – Rachel Whiteread
      • Assignment Three Artists – George Segal
      • Assignment Three Artists – Victoria Ferrand-Scott
      • Assignment Three Artists – Karine Jollett
    • Research: Assignment Four
      • Research Assignment Four – Techniques & Tutorials
        • Research Assignment Four – Printing – Suminagashi – Japanese water marbling
        • Research Assignment Four – Printing – Shaving foam
        • Research for Assignment Four – Printing – Marbling with nail varnish on water
        • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
        • Research Assignment Four – Printing – Stencils
        • Research for Assignment Four – Drawing on the plate
      • Assignment Four Artists – Kim Major-George
      • Assignment Four Artists – Imna Arroyo
      • Assignment Four Artists – Giovanni Benedetto Castiglione
      • Assignment Four Artists- The Veteran Print Project – Various Artists
    • Research: Assignment Five
      • Assignment Five – Stage 2 – Research – Inspiration
      • Assignment Five – Stage 2 – Research – Techniques & Tutorials
      • Assignment Five – Stage 2 – Research – Artists
  • Sketchbooks
    • Sketchbook – Assignment One
    • Sketchbook – Assignment Two
    • Sketchbook – Assignment Three
  • Sorting & Reflection
    • Assignment One: Part One – Stage 4 – Sorting
    • Assignment Two: Part Two – Stage 4 – Sorting
    • Assignment Three: Part Three – Stage 4 – Sorting
    • Assignment Four: Part Four – Stage 4 – Sorting
    • Assignment Five: Part Five – Stage 5 – Sorting
    • Reflection on Assignment One
    • Reflection on Assignment Two
    • Reflection on Assignment Three
    • Reflection on Assignment Four
    • Reflection on Assignment Five & Course Overall
  • Tutor feedback
    • Tutor feedback and my response – Assignment One
    • Tutor feedback and my response – Assignment Two
    • Tutor feedback and my response – Assignment Three
    • Tutor feedback and my response – Assignment Four
    • Tutor feedback and my response – Assignment Five
  • About
  • Contact
  1. Home
  2. Sketchbooks
  3. Sketchbooks - Assignment Three
  4. Sketchbook – Assignment Three

Sketchbook – Assignment Three

24th July 2016Written by debbietomkies
Sketchbooks, Sketchbooks - Assignment Three assignment 3, sketchbook

Similar posts

Sketchbook – Assignment Three
22nd January 2017

Taking on board the tutor’s comments from Assignment Two, with the sketchbook work for this assignment, I considered in particular: Scale and how the work could be worked in different sizes for different effects Potential for development of the sketches Ideas for building on earlier assignments Critical analysis of the success or otherwise of the […]

Assignment Three Artists – Rachel Whiteread
14th January 2017

Sculptor Rachel Whiteread was the first female to win the Turner Prize in 1993 for best young British artist. She also has the unique accolade of winning, in the same year, the K Foundation Art Award for worst British artist. Whiteread’s signature work involves large-scale casts of the interior space of objects, both everyday objects […]

Assignment Three: Part Three – Stage 4 – Sorting
5th January 2017

Project 1 – Moulding from a surface The moulding relief paste was far and away my favourite medium for this exercise. The paste combines well with textiles, takes crisp imprints, remains maleable and can be coloured, stitched and worked into. It is also accepts embedded objects well. The variety of pastes available (pearl, matte, gloss […]

Assignment Three: Sorting
Project 2: Casting the internal surface of a vessel

Recent Posts

  • Assignment Five – Stage 6 – Revised Final Piece in Response to Tutor Feedback
  • Tutor feedback and my response – Assignment Five
  • Reflection on Assignment Five & Course Overall
  • Assignment Five – Stage 6 – Prototype/maquette-making
  • Assignment Five – Stage 5 – Sorting

Recent Comments

  • 14 New Inspiring Examples of Jaw-Dropping Crochet Art | on Artists – Joana Vasconcelos
  • Ann Dim on Artists – Architect and designer Raffaello Galiotto

Archives

  • September 2017
  • May 2017
  • April 2017
  • January 2017
  • August 2016
  • July 2016
  • February 2016
  • January 2016
  • October 2015
  • September 2015
  • August 2015

Categories

  • Assignment 1
  • Assignment 2
  • Assignment 2: Sorting
  • Assignment 3
  • Assignment 3: Sorting
  • Assignment 4
  • Assignment 4: Sorting
  • Assignment 5 – Stage 6 part 2 – Revised prototype/maquette-making
  • Assignment Five
  • Assignment Four – Tutorials
  • Assignment Four Artists – Castiglione
  • Assignment Four Artists – Imna Arroyo
  • Assignment Four Artists – Kim Major-George
  • Assignment Four Artists – Veteran Print Project – Various Artists
  • Assignment Four Techeniques and Tutorials
  • Assignment One Artists – Anneke Copier
  • Assignment One Artists – Issey Miyake
  • Assignment One Artists – Joana Vasconcelos
  • Assignment One Artists – Raffaello Galiotto
  • Assignment One Artists – Vincent Floderer
  • Assignment Three Artists – George Segal
  • Assignment Three Artists – Karine Jollet
  • Assignment Three Artists – Rachel Whiteread
  • Assignment Three Artists – Rebecca Fairley
  • Assignment Three Techniques and Tutorials
  • Assignment Two Techniques and Tutorials
  • Assignment Two Techniques and Tutorials
  • Part One: Project 1 – Exercise 2 Rotational accordion pleats
  • Part One: Project 1 – Exercise 3 Knife and box pleats
  • Part One: Project 1 – Folding & Crumpling
  • Part One: Project 2 – Tearing & Cutting
  • Part One: Project 3 – Heating & Fusing
  • Part One: Project 4 – Exercise 2 Embossing
  • Part One: Project 4 – Scratching & Embossing
  • Part One: Project 5 – Puncturing & Stitching
  • Part One: Project 5 – Puncturing and stitching
  • Part Two: Project 1 – Joining and Wrapping
  • Part Two: Project 2 – Wrapping
  • Project 1: Monoprinting
  • Project 1: Monoprinting – Exercise 1 – Mark-making
  • Project 1: Monoprinting – Exercise 2 – Drawing onto the printing plate
  • Project 1: Monoprinting – Exercise 3 – Back drawing
  • Project 1: Monoprinting – Exercise 4 – Working with stencils
  • Project 1: Moulding from a surface
  • Project 2: Casting the internal space of a vessel
  • Project 2: Collatype
  • Project 2: Collatype – Exercise 1 – Create a collage block
  • Project 2: Collatype – Exercise 2 – Polyfilla block
  • Project 2: Collatype – Exercise 3 – Collatype collage prints
  • Reflection on Assignment Four
  • Reflection on Assignment One
  • Reflection on Assignment Three
  • Reflection on Assignment Two
  • Research
  • Research Assignment Three
  • Research: Assignment 4
  • Research: Assignment Five – Techniques & Tutorials – Temari & Fabric Balls
  • Research: Assignment One
  • Research: Assignment Two
  • Sketchbooks
  • Sketchbooks – Assignment Three
  • Sorting and Reflection
  • Stage 1 – Review
  • Stage 2 – Research
  • Stage 2 – Research – Artists
  • Stage 2 – Research – Inspiration
  • Stage 2 – Research – Techniques & Tutorials
  • Stage 5 – Sorting
  • Stage 6 – Prototype/maquette-making
  • Stage 7 – Reflection
  • Stages 3 and 4 – Sampling and Recording Outcomes
  • Submission list – Assignment One: Surface Distortion
  • Submission list – Assignment Three: Moulding and Casting
  • Submission Lists
  • Surface Distortion
  • Tutor feedback
  • Tutor feedback – Assignment Five
  • Tutor feedback – Assignment Four
  • Tutor feedback – Assignment Three
  • Uncategorised

Tags

anneke artist artists assignment 1 assignment 2 assignment 3 assignment 4 assignment 5 casting the internal space of a vessel casting the internal surface of a vessel collatype crumpling drawing on the plate folding issey miyake Joana Vasconcelos joining joining and wrapping marbling monoprinting moulding from a surface olek part one part two printing project 1 project 2 project 3 project 4 project 5 puncturing puncturing and stitching raffaello galiotto reflection research scratching and embossing sketchbook sorting stage 1- review stage 2 - research submission list techniques and tutorials tutor feedback vincent floderer wrapping

Follow me on Pinterest

Visit Debbie's profile on Pinterest.

evolve theme by Theme4Press  •  Powered by WordPress