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While I was waiting for a delivery of plaster of Paris, I researched homemade alternatives. A number of sources recommended a simple mixture of flour and water for a similar result. I mixed up a paste, adding some Brusho for colour. To create interesting shape and texture I poured the paste into an ice cube […]
Metal parts and jewellery are frequently cast using ‘green sand’. Following some research I found various sources that suggested this could be achieved with kinetic sand. Kinetic sand is regular fine sand blended with a synthetic product, polydimethylsiloxane. This makes it behave like wet sand that can be moulded and shaped more readily than regular […]
Relief paste was also something I experimented with in Assignment Two where I used it with a stamp and bubble wrap to create very successful impressions. I mixed relief paste with Brusho for colour, keeping the colours marbleised by not over-blending. I spread the paste thickly over a heavily textured glass vase. The remaining paste […]
I had enjoyed using moulding paste in Assignment Two and I thought it would be interesting to work with to created moulded surfaces. I tried 3 samples: On synthetic fabric, with lace and using a stamp onto bondaweb. The paste was coloured with Brusho. None of the samples was particularly interesting. The paste wasn’t firm […]
After the PVA and fabric sample I had some colour PVA left over. It seemed a shame to waste it so I used some of the scraps of hand-dyed yarn from the weavette pieces and pushed them into the beaker until the yarn was covered. I allowed the piece to dry completely in the beaker […]
For this sample I used an old plastic bowl which I covered in clingfilm to assist with removing the finished moulding. After cutting strips of waste lace fabric from an old curtain I applied the fabric to the mould using dilute PVA. To make the piece more interesting, I added Brusho to the PVA, varying […]
For this exercise I organised a range of materials to make impressions on/embed in air-drying clay. The clay is natural grey and does not obviously lend itself to colouration (possibly painting post-drying?). For the first samples I therefore selected remnants of a rough cotton rug warp in a natural stone colour to harmonise with the […]
Victoria Ferrand-Scott is an artist who works in multiple media, including fine art, photography and video alongside sculpture. Ferrand-Scott works extensively with what most would regard as ordinary, mundane materials – concrete and other mouldable, pourable building compounds. These are transformed into extraordinary, fluid, tactile forms using latex and flexible fabric structures. It is this […]
George Segal (1924-2000) was a prominent figure aligned to the Pop Art movement. Born in New York, he was an artist and art tutor (alongside spells working as a poultry farmer to support his parents and family). His first sculpture in his iconic style was inspired by a student at an adult education class who […]
Karine Jollet is a French sculptor. Working with old textiles, almost always in white, she uses clothes, bedsheets, handkerchieves and other materials that are closely connected with the person. These repurposed textiles are carefully and meticulously hand-stitched then stuffed with polyester to recreate aspects of the human form. This could be a dismembered body part […]
