Kim Major-George is a British printmaking artist. Her prints are inspired by myth and fantasy and also have elements of spirituality. Major-George’s work is of particular interest to me as she uses a wide range of additional media to enhance and embellish her prints. Foils, stitching, metallic threads and other materials give her work an […]
Categories
- Assignment 1
- Assignment 2
- Assignment 2: Sorting
- Assignment 3
- Assignment 3: Sorting
- Assignment 4
- Assignment 4: Sorting
- Assignment 5 – Stage 6 part 2 – Revised prototype/maquette-making
- Assignment Five
- Assignment Four – Tutorials
- Assignment Four Artists – Castiglione
- Assignment Four Artists – Imna Arroyo
- Assignment Four Artists – Kim Major-George
- Assignment Four Artists – Veteran Print Project – Various Artists
- Assignment Four Techeniques and Tutorials
- Assignment One Artists – Anneke Copier
- Assignment One Artists – Issey Miyake
- Assignment One Artists – Joana Vasconcelos
- Assignment One Artists – Raffaello Galiotto
- Assignment One Artists – Vincent Floderer
- Assignment Three Artists – George Segal
- Assignment Three Artists – Karine Jollet
- Assignment Three Artists – Rachel Whiteread
- Assignment Three Artists – Rebecca Fairley
- Assignment Three Techniques and Tutorials
- Assignment Two Techniques and Tutorials
- Assignment Two Techniques and Tutorials
- Part One: Project 1 – Exercise 2 Rotational accordion pleats
- Part One: Project 1 – Exercise 3 Knife and box pleats
- Part One: Project 1 – Folding & Crumpling
- Part One: Project 2 – Tearing & Cutting
- Part One: Project 3 – Heating & Fusing
- Part One: Project 4 – Exercise 2 Embossing
- Part One: Project 4 – Scratching & Embossing
- Part One: Project 5 – Puncturing & Stitching
- Part One: Project 5 – Puncturing and stitching
- Part Two: Project 1 – Joining and Wrapping
- Part Two: Project 2 – Wrapping
- Project 1: Monoprinting
- Project 1: Monoprinting – Exercise 1 – Mark-making
- Project 1: Monoprinting – Exercise 2 – Drawing onto the printing plate
- Project 1: Monoprinting – Exercise 3 – Back drawing
- Project 1: Monoprinting – Exercise 4 – Working with stencils
- Project 1: Moulding from a surface
- Project 2: Casting the internal space of a vessel
- Project 2: Collatype
- Project 2: Collatype – Exercise 1 – Create a collage block
- Project 2: Collatype – Exercise 2 – Polyfilla block
- Project 2: Collatype – Exercise 3 – Collatype collage prints
- Reflection on Assignment Four
- Reflection on Assignment One
- Reflection on Assignment Three
- Reflection on Assignment Two
- Research
- Research Assignment Three
- Research: Assignment 4
- Research: Assignment Five – Techniques & Tutorials – Temari & Fabric Balls
- Research: Assignment One
- Research: Assignment Two
- Sketchbooks
- Sketchbooks – Assignment Three
- Sorting and Reflection
- Stage 1 – Review
- Stage 2 – Research
- Stage 2 – Research – Artists
- Stage 2 – Research – Inspiration
- Stage 2 – Research – Techniques & Tutorials
- Stage 5 – Sorting
- Stage 6 – Prototype/maquette-making
- Stage 7 – Reflection
- Stages 3 and 4 – Sampling and Recording Outcomes
- Submission list – Assignment One: Surface Distortion
- Submission list – Assignment Three: Moulding and Casting
- Submission Lists
- Surface Distortion
- Tutor feedback
- Tutor feedback – Assignment Five
- Tutor feedback – Assignment Four
- Tutor feedback – Assignment Three
- Uncategorised
Tags
anneke
artist
artists
assignment 1
assignment 2
assignment 3
assignment 4
assignment 5
casting the internal space of a vessel
casting the internal surface of a vessel
collatype
crumpling
drawing on the plate
folding
issey miyake
Joana Vasconcelos
joining
joining and wrapping
marbling
monoprinting
moulding from a surface
olek
part one
part two
printing
project 1
project 2
project 3
project 4
project 5
puncturing
puncturing and stitching
raffaello galiotto
reflection
research
scratching and embossing
sketchbook
sorting
stage 1- review
stage 2 - research
submission list
techniques and tutorials
tutor feedback
vincent floderer
wrapping